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| The whistle draws attention to the signal | 2024 | Work in progress, painted objects |
Looking back to the group exhibition Through Line, curated by Adam Garratt, which ran 14 July to 3 August 2024 at Maltings Taphouse Gallery, Newton Abbot.
The whistle draws attention to the signal was a site-specific piece
inspired by the Belgian philosopher of science Vinciane Despret and her
observations on pausing and listening in birdsong. Referencing bioacoustician Bernie Krause, she says that birds are
‘sharing the time of talk'. She suggests they use territory as a pretext for
making song and may sing to create ties with neighbours
rather than to ward them off.
Megan Calver and I drew on imagery from bird identification and railway signalling manuals to
reimagine human-avian interactions in the local environment. We
set out to make tools for coordinating sound and movement, seeing
parallels in train signalling and dispatch systems, and also the rules of sport. Our
collection of objects - including bats and whistles - offered the potential for performance or play and
were designed to invite reflection on ideas of joining in and taking
turns.
Placed in the vast space of the Maltings Taphouse Gallery, they included symbols for the
herring gull, feral pigeon, blackbird and pied wagtail - all spotted
around the station when preparing for the show. There are also
references to the old-fashioned 'distant' and 'home' trackside warning
signals.
Some of these
objects were presented close to hand, ready to put into play, and some
far away across the deep, dark depths of the warehouse space. During
the private view, Megan and I did a series of call-and-response tweets
from our own two whistles.

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