Sunday, 14 September 2025

The Porous Body

Still from The Porous Body | Moving image - work in progress

I'm currently editing a simple four-minute DIY film called The Porous Body. It's the first iteration of a larger moving image project about female mediums in the late 19th and early 20th century.

This first film focuses on materialising mediums (ie those that summoned physical materials, voices and objects to the seance room) and their brush with science. It's a tangled story of faith and rationality, the limited power that women held in a highly patriarchal society, and the obsession of the Victorians with pushing at the frontiers of scientific discovery.

Investigations into these women are well documented* (though the opinions and feelings of the women themselves are rarely noted). All available technologies (eg flash photography, wax cylinder recordings, microscopes) were deployed in an attempt to capture, measure and analyse their powers. Often treated like scientific specimens, they were subjected to intrusive examinations and troubling experiments in order to demonstrate their integrity. It's true, some of their manifestations of ectoplasmic matter do look a lot like cut paper and wet muslin, but many people who witnessed their activities first-hand found them compelling.

*I've based my work on accounts of investigations into mediums published in the Proceedings of the Society for Psychical Research, the Quarterly Transactions of the British College of Psychic Science and the Phenomena of Materialisation: a contribution to the investigation of mediumistic teleplastics by Albert von Schrenk-Notzing.

Saturday, 13 September 2025

Where are we now?

Night Piece | 2025 | Postcard with image and score

“Cutting across a field on a moonless night, we encountered familiar trees as strange new beings. Caught in the flash of our camera, the full force of each tree's unique personhood came to light. The trees seemed as surprised as we were: uprooted from our separate worlds, we found ourselves swimming in the darkness together.”

Megan Calver and I are pleased to present Night Piece (Swimming with Trees) at the Thelma Hulbert Gallery. It's a set of three digital photographs and a take-away artists' multiple (postcards).

Where Are We Now? is a group exhibition by artists belonging to CAMP CIC (Contemporary Art Membership Platform). Considering contemporary environmental issues from multiple perspectives, the exhibition features 40 artists from across Devon and Cornwall including:

Dana Aala, Ruth Bateman, Lottie Bolster, Sara Bor, Katrina Brown, Bob Budd, Megan Calver and Gabrielle Hoad, Erika Cann, Emily Chung, Caroline Collingridge, Gillian Cooper, Rachael Coward, Laura Denning, Marko Dutka, Francesca Elliott, John Elliott, Ilya Fisher, Sue Green, Angela Hilton, Karen Howse, Tim Hutton, Christina (Tina) Kutter, Octavia Madden, Gill Melling, Elizabeth Orcutt, Olivia Parsons, Ann Russell, Janet Sainsbury, Penny Simons, Mike Snudden, Viv Spencer, Charlotte Squire, Frances Staniforth, Stella Tripp, Carol Weir, Emma Saffy Wilson, Patricia Wilson Smith, Claire Winfield and Melanie Young. 

Where are we now? runs 6 September 2025 to 25 October 2025 at Thelma Hulbert Gallery, Elmfield House, Dowell Street, Honiton, Devon  EX14 1LX

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